"Quite right. There's nothing like them," said Mrs. Gereth. At this her companion took up one of her hands again and kissed it as she had done in London. "Mona went back that night; she was not there yesterday. Owen stayed on," she added. "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.!

"So much that they're all, and that she can let everything else absolutely depend upon them?" The day after Fleda received this letter she had occasion to go into a big shop in Oxford Street—a journey that she achieved circuitously, first on foot and then by the aid of two omnibuses. The second of these vehicles put her down on the side of the street opposite her shop, and while, on the curbstone, she humbly waited, with a parcel, an umbrella, and a tucked-up frock, to cross in security, she became aware that, close beside her, a hansom had pulled up short, in obedience to the brandished stick of a demonstrative occupant. This occupant was Owen Gereth, who had caught sight of her as he rattled along and who, with an exhibition of white teeth that, from under the hood of the cab, had almost flashed through the fog, now alighted to ask her if he couldn't give her a lift. On finding that her destination was only over the way he dismissed his vehicle and joined her, not only piloting her to the shop, but taking her in; with the assurance that his errands didn't matter, that it amused him to be concerned with hers. She told him she had come to buy a trimming for her sister's frock, and he expressed an hilarious interest in the purchase. His hilarity was almost always out of proportion to the case, but it struck her at present as more so than ever; especially when she had suggested that he might find it a good time to buy a garnishment of some sort for Mona. After wondering an instant whether he gave the full satiric meaning, such as it was, to this remark, Fleda dismissed the possibility as inconceivable. He stammered out that it was for her he would like to buy something, something "ripping," and that she must give him the pleasure of telling him what would best please her: he couldn't have a better opportunity for making her a present—the present, in recognition of all she had done for Mummy, that he had had in his head for weeks.

Fleda laid on her arm a hand of vague comfort, of which Mrs. Gereth took no notice. "You've been capable, just to tell me, of this wretched journey, of this consideration that I don't deserve?" He appeared puzzled by this statement, but he presently rejoined: "You haven't then said to mamma what you think?" Fleda received with the same stoicism the quiet immensity of this allusion to the person who had not known how. But it made her think a little, and the thought found utterance, with unconscious irony, in the simple interrogation: "Mona?"